Home Articles Unraveling the Threads: The History of Shibari and Its Influential Bakushis 

Unraveling the Threads: The History of Shibari and Its Influential Bakushis 

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In 2020, I embarked on a journey to untangle the intricate history of shibari—a  path both enlightening and deeply humbling. Over the years, shibari has been  romanticized, misunderstood, and often clouded by myths. This project,  culminating in a detailed diagram, aims to reveal the true origins and evolution of  shibari, tracing the lives and contributions of the bakushis who shaped it. 

The Heart of the Diagram 

This work is focuses on bakushis because their pivotal connections help untangle  the flow of influences within shibari. While equally significant, figures such as  models, photographers, club owners, and others from the scene play essential  roles; however, including all influential figures would make the diagram unwieldy. 

This Project was born out of curiosity and a relentless desire to understand. The  preliminary notes, which can be found written within the diagram itself, highlight  my approach: it is a starting point, a map of connections and influences that  invites the observer to delve deeper into the world of shibari. The bi-directional  arrows symbolize mutual influence, relationships that are nuanced and varied— representing friendships, collaborations, or moments of shared creativity. 

The Foundations of Truth 

A cornerstone of this project has been my commitment to primary sources. From  the digitized archives of Kitan Club to interviews hosted on Osada Steve’s page  and insights from Kinbakunomicon, each piece of information was carefully cross verified. Blogs like SMDetective (now offline) and resources like Bergborg’s  Kokoro Kinbaku books further enriched the narrative. 

One of the most rewarding aspects of creating this diagram has been the  conversations I’ve had with some of the bakushis featured in it. These dialogues  provided invaluable insights, helping me cross-reference information and dispel  inaccuracies. To everyone who generously shared their knowledge, experiences,  and perspectives, I extend my heartfelt gratitude. 

In the world of shibari, reaching the truth is no simple task. We’ve moved from an  era of almost complete ignorance about shibari’s origins to a modern age of  information overload, where not all sources are trustworthy. Many people,  whether intentionally or not, contribute to misinformation—from those who  romanticize the past or the japanese culture, to educators who inflate their lineage  to bolster their credibility. The internet has brought forth countless “experts,”  whose opinions are often presented as verifiable knowledge. I, too, was once a  victim of this phenomenon as a beginner, attending workshops where a couple  of Japanese names were casually dropped, and personal beliefs about shibari  were taught as facts. This experience deepened my resolve to seek out primary  sources and verify every claim. 

In many ways, I have had the advantage of approaching this subject from the  perspective of someone who is not part of the shibari scene, nor professionally  involved in it. I have no financial interests or personal agenda beyond the search for truth. I am, at my core, simply a student of shibari. This position has allowed  me to explore the history with a certain degree of objectivity and openness, free  from the biases that can sometimes cloud the views of those more deeply  entrenched in the culture. 

A Journey of Discovery 

This process has been a journey of discovery, not just of shibari’s history but of  its essence. It has taught me that truth is rarely simple or linear.  

While there is a clear consensus and no controversy regarding most parts of the  diagram, we must not ignore that others, such as the connections surrounding  Akechi Denki, remain more controversial and subject to divergent interpretations  to this day. However, delving into these debates lies beyond the scope of this  project, as the spirit of the diagram is to provide a foundation for understanding  and exploration rather than to resolve disputes. 

My hope is that this diagram serves as more than a reference—that it sparks  curiosity and dialogue, encouraging others to explore, question, and contribute to  the collective understanding of shibari 

As Miyamoto Musashi, the legendary samurai and philosopher, once said: ‘Truth  is not what you want it to be; it is what it is. And you must bend to its power or  live a lie.’ Let us approach shibari with respect, understanding, and an openness  to its true nature.” 

Luis Futomomo

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Luis Futomomo
I am Luis Futomomo, a rigger based in Spain with a deep passion for Japanese culture, which has led me to travel to Japan multiple times. In 2016, I began studying the history of shibari and practicing it, driven by a desire to understand its origins and evolution. I consider myself a simple student, always striving to learn more and deepen my knowledge. Over the years, I’ve had the privilege of training with some of the world’s best riggers, both in person and online, which has helped me refine my technique. Through my work, I maintain close contact with many people in the shibari scene who have shown great interest in my research. My goal has always been to preserve the historical context of shibari while promoting its respectful and artistic expression, and I continue to explore the rich cultural heritage of this discipline. Instagram: @futomomo5shibari