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Kinbaku Today
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    Gallery: Abandoned by​​ the Church

    Kinbaku Today - April 20, 2026
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    Gallery: Front Row Kinbaku (Sugiura Norio, Naka Akira, Otsuka Hina)

    Zetsu Nawa - April 19, 2019
    0

    Gallery: Yukimura Haruki and Shimada Aiko

    Zetsu Nawa - January 4, 2019
    0

    Ozuma Youko: Kitan Club, 1974 (vol 10)

    Zetsu Nawa - October 5, 2018
    0

    Iroha (La Quarta Corda)

    Kinbaku Today - September 29, 2017
    0

    Galleries

    Home Galleries Page 3
    Gallery:  Suzuki Reiji's Rope Magic Kinbaku Today 1

    Gallery: Suzuki Reiji’s Rope Magic

    Kinbaku Today - January 20, 2015 0
    Chizuru and Yukimura Kinbaku Today 2

    Chizuru and Yukimura

    Zetsu Nawa - January 10, 2015 0
    On doing Kinbaku for music videos – an interview with Master "K" on rigging the Bull's "Come Unwound." Kinbaku Today 2

    Gallery: The Bulls Video Shoot

    Master K - December 19, 2014 0
    Gallery:  RopeMarks Kinbaku Today 2

    Gallery: RopeMarks

    Kinbaku Today - December 7, 2014 0
    Gallery: Clover Kinbaku Today 1

    Gallery: Clover

    Clover - November 23, 2014 0
    Beautifully Bound (美しき縛しめ) Kinbaku Today 1

    Beautifully Bound (美しき縛しめ)

    Zetsu Nawa - October 20, 2014 0
    Video: Yukimura Haruki "The Affection of Kinbaku" Kinbaku Today

    Video: Yukimura Haruki “The Affection of Kinbaku”

    Kinbaku Today - October 17, 2014 0
    Gallery: Riccardo Wildties Kinbaku Today 2

    Gallery: Riccardo Wildties

    Riccardo Wildties - October 16, 2014 0
    Gallery:  DonSir Black & White Kinbaku Kinbaku Today 2

    Gallery: DonSir Black & White Kinbaku

    Don Sir - October 7, 2014 0
    Gallery: Chizuru Kinbaku Today 2

    Gallery: Chizuru

    Zetsu Nawa - October 4, 2014 0
    Akira Naka in Los Angeles Kinbaku Today 1

    Akira Naka in Los Angeles

    Zetsu Nawa - October 4, 2014 0
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    Kinbaku Today is an independent online journal dedicated to the study, practice, and cultural history of Japanese rope bondage. Blending essays, translations, interviews, and archival research, it explores kinbaku not simply as technique, but as a living dialogue between history, performance, and human connection.

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